[Weekly Compilation of Presidential Documents Volume 38, Number 50 (Monday, December 16, 2002)]
[Pages 2138-2140]
[Online from the Government Publishing Office, www.gpo.gov]

<R04>
Remarks at the Kennedy Center Honors Reception

December 8, 2002

    Welcome to the East Room of the White House. We are glad you're 
here. Laura and I are so pleased to join you in honoring the 
achievements of five great Americans. We welcome the honorees, and we 
welcome their families and friends who share the pride of this special 
day.
    Each new group of Kennedy Center honorees presents a picture to 
remember. This year we've brought together in one room a legend of 
Broadway, the conductor of the Met, the composer of ``Mrs. Robinson''--

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[laughter]--the face of Cleopatra--[laughter]--and the voice of Darth 
Vader. [Laughter]
    We're all looking forward to a fine show this evening at the Kennedy 
Center, produced once again by George Stevens. Tonight's event 
recognizes lives of high achievement in the cultural arts. Each one of 
you is known to the American people in a way that runs deeper than fame. 
You've each made a place of your own in the culture of our Nation. And 
tonight, you can know that you are appreciated as well as being admired.
    People say that the voice of the President is the most easily 
recognized voice in America. Well--[laughter]--I'm not going to make 
that claim in the presence of James Earl Jones. And that commanding 
voice belongs to one of the finest, most respected actors in this 
generation.
    There was a time when his voice was seldom heard. You see, as a boy, 
Jimmy Jones struggled with a speech impediment. Often he could 
communicate with his teachers only in writing. This young man had a 
heart full of courage and determination. And so, he learned debating and 
public speaking, and he read Shakespeare aloud to master the feel and 
rhythm of language. Later, he cleaned offices while learning the actor's 
craft.
    By his own will and God-given talent, James Earl Jones gained 
breakthrough roles on the stage and in some of the finest films of 
recent decades, from the ``Great White Hope'' to the ``Field of 
Dreams.'' Along the way, Americans have come to know an artist of 
seriousness and skill. They've also come to know a man of great dignity 
whose voice we hope to hear for many years to come. Congratulations.
    It is not commonly known, but Paul Simon got his start on the stage 
as well, as the White Rabbit--[laughter]--in a sixth grade production of 
``Alice in Wonderland.'' [Laughter] Playing the Cheshire Cat was his new 
friend Art Garfunkel.
    Paul Simon still thinks of himself as a boy from Queens. America 
thinks of Paul Simon as the writer of some of the most memorable songs 
of our times and a singer of eloquence and integrity. From collaborative 
works such as ``Bridge Over Troubled Waters'' to the groundbreaking 
rhythms of ``Graceland,'' Paul has defied musical boundaries, appealed 
to all generations, and expressed the ideals and hopes of mankind.
    He once studied to be a lawyer. When he chose another path, the 
legal profession missed out on volumes of moving and lyrical briefs. 
[Laughter] His decision to be a performer led him to Paris, where in the 
early 1960's you could have seen Paul Simon performing alone, for anyone 
who cared to stop and listen could have not known then that he would one 
day draw some of the largest live audiences ever.
    When you listen to Paul Simon's songs, you hear a gentle and 
truthful voice from a gifted man with a good heart. For the words and 
music he's brought to all our lives, America today honors Paul Simon.
    James Levine knew from his earliest years that he was destined for a 
life in music. In the decades since, he has conducted major orchestras 
around the world and is himself an institution as the maestro of the New 
York Metropolitan Opera.
    At the age of 3, he was playing melodies on the piano. His mother 
and father took him to symphonies where he would sit with the open score 
on his lap, conducting with a knitting needle. [Laughter] By age 9, he 
was producing full operas on a puppet stage at home. Helen and Lawrence 
Levine encouraged their son's extraordinary talent, while letting nobody 
exploit him. This prodigy matured into one of the most influential 
conductors America has ever produced.
    James Levine is known for an understated style, drawing attention to 
the music itself, with his vivid and precise interpretations. And his 
artistic vision has preserved and advanced the unmatched reputation of 
the Metropolitan Opera.
    James Levine has said that ``music chose me, because I can't 
remember life without it.'' For the rest of us, it is hard to think of 
American classical music without him. So tonight, the music world is 
grateful for the disciplined artistry and joyful presence of maestro 
James Levine.
    Our fourth honoree has been described by one theater critic as 
``20,000 volts of untamed electricity.'' [Laughter] Anyone who has seen 
Chita Rivera on the stage or screen knows what that critic means. Her 
professionalism,

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enthusiasm, and style have set a Broadway standard that few have ever 
reached.
    Chita began her training in classical ballet and became a star in 
``West Side Story.'' She went on to acclaimed performances in ``Bye Bye 
Birdie,'' ``Sweet Charity,'' ``Chicago,'' and many other great shows. 
She's the owner of two Tony awards and has been nominated for five more. 
Her hard work and personal warmth have gained her the respect of her 
peers and the affection of the American people.
    It is fitting we recognize these accomplishments here in her 
hometown. Her family lived on Buchanan Street. Chita's father played in 
the Navy Band. Her late mother, Katherine, who worked for the 
Government, remains her inspiration in life. Chita said, ``I am only an 
extension of my mother. I look like her. I think like her. Every step I 
do on that stage is for her.'' And I know, Chita, that your mother would 
also be proud of you today as America pays tribute to your distinguished 
career and your wonderful spirit.
    On a fall afternoon in 1951, President Harry Truman welcomed a group 
of young actresses to the White House. [Laughter] Among them was 
Elizabeth Taylor. At that event, Truman wondered aloud what the next 50 
years would bring in the film industry. He added, ``I know some of these 
young ladies will see that day.'' Well, standing here in 2002, we are 
honored to welcome back that lovely girl who became one of the most 
accomplished and compelling actresses in movie history.
    Elizabeth Taylor's early pictures, like ``National Velvet'' and 
``Lassie Come Home,'' turned many reviewers into fans. One wrote, ``Her 
face is alive with youthful spirit. Her voice has the softness of sweet 
song, and her whole manner is one of refreshing grace.''
    Through the years, her performances in such films as ``Giant'' and 
``Butterfield 8'' and ``Cat on a Hot Tin Roof'' showed a depth and 
intensity that set her apart. Her face is one of the most memorable ever 
captured on film. And for millions of Americans, Elizabeth Taylor is the 
very definition of acting talent and movie stardom.
    She has also given her heart to important causes, especially the 
defeat of AIDS. For her compassionate life and for a film career like no 
other, the Kennedy Center and the American people honor Elizabeth 
Taylor.
    Each of our five honorees has shared great gifts and has enriched 
the life of our Nation. They have given us all many fond memories, and I 
hope these distinguished Americans and their families and friends will 
cherish the memory of this evening.
    Thank you all for coming. May God bless you all. And may God 
continue to bless America.

Note: The President spoke at 5:22 p.m. in the East Room at the White 
House.