    [Public Papers of the Presidents of the United States: WILLIAM J. CLINTON (1999, Book II)]
    [September 29, 1999]
    [Pages 1624-1629]
    [From the U.S. Government Publishing Office www.gpo.gov]

    Remarks on Presenting the Arts and Humanities Awards
    September 29, 1999

        The President. Thank you very much. Thank you so much, ladies and
    gentlemen. Welcome. I want to welcome all of our honorees here: Bill
    Ivey and all the people from the
    National Endowment for the Humanities; Bill Ferris and all the people from the National Endowment for the
    Arts; the people from Library and Museum Services; Members of Congress.
    I have seen Senator Wellstone and
    Congressman Houghton, Representative
    Morella and Nadler. There may be others here.
        I want to thank the people of our shared homeland, the Irish band
    and the step dancers, for doing such a wonderful job today. I thought
    they were great. If George Mitchell
    doesn't get us over the final hump in the last steps of the Irish peace
    process, I may just send them back until everybody--[laughter]--is
    smiling so much they can't think of anything other than ending the
    conflict.
        I'd also like to thank the wonderful strings from the Marine Corps
    for doing such a great job for us here today.
        In one of his final speeches, President Kennedy said he looked
    forward to an America which rewards achievement in the arts as we reward
    achievement in business; an America which commands respect throughout
    the world not only for its strength but for its civilization. Today we
    recognize an extraordinary group of Americans who have strengthened our
    civilization and whose achievements have enriched our lives through the
    songs they sing, the stories they tell, the books they write, the art
    they shape, the gifts they share.
        Eighteen women and men, one educational institution, all having
    defined in their own unique ways a part of who we are as a people and
    what we're about as a nation as we enter a new century in a new
    millennium.
        First I present the National Medal of the Arts winners.
        Irene Diamond, one of America's leading
    patrons of the arts, has dedicated her life to discovery. As an early
    Hollywood talent scout, she discovered Burt Lancaster and Robert
    Redford. For that alone, some people think she should get this award.
    [Laughter]
        As one of the movie industry's first female story editors,
    she discovered the script that became
    ``Casablanca.'' I believe when the film industry issued its list of 100
    greatest films, ``Casablanca'' only ranked second, Irene, but some of us
    voted for it number one. [Laughter]
        As the president of the Aaron Diamond Foundation, she helped fuel the pathbreaking research that led to the
    discovery of protease inhibitors, which are now helping people with HIV
    lead longer and healthier lives. As a generous supporter of the arts,
    she has given more than $70 million to help more Americans discover the
    magic of theater, dance, and song.
        It has been said that discovery consists of seeing what everyone has
    seen and thinking what no one has thought. We are all far richer for the
    vision, the insight, and the discoveries of this most precious
    Diamond.
        Colonel, read the citation.

    [Lt. Col. Carlton D. Everhart, USAF, Air
    Force Aide to the President, read the citation, and the President
    presented the medal.]

    [[Page 1625]]

        The President. The Reverend C.L. Franklin, then pastor of Detroit's
    New Bethel Baptist Church, was a powerfully emotional preacher. But one
    Sunday in 1954 it was the heavenly voice of a 12-year-old that brought
    the congregation to its feet. The voice belonged to his own daughter,
    Aretha, the woman now idolized throughout
    the world as the Queen of Soul.
        No matter where she has traveled, she
    has never left behind the sound of those Sundays in church. You could
    hear it ranging over four full octaves when she sang Dr. King to heaven
    and in electrifying performances at our Inaugural celebrations. You can
    hear it in every one of her nearly 50 albums, and I am so grateful that
    she has allowed me to hear it time after time here at the White House.
        Aretha's voice once was designated a
    natural resource of the State of Michigan. [Laughter] She will probably
    never know how many people whose lives she has enriched, whose hearts
    she has lifted, how many people she gave a spring in the step that would
    not have been there, and brought sunshine to a rainy day and tenderness
    to a hardened heart.
        Today we honor her for all she has given
    with the magnificent talent God gave her.
        Colonel, read the citation.

    [Lieutenant Colonel Everhart read the citation, and the President
    presented the medal.]

        The President.  Michael Graves is a rare
    individual who finds equal wonder in things both large and small. As one
    of our century's most important designers and architects, he has said he
    gets as much pleasure planning a large building as he does designing a
    spatula. [Laughter]
        So it's little wonder that Michael Graves' work can be found from our shopping malls to our
    National Mall, from an award-winning office building to a tea kettle to
    the creative scaffolding around the Washington Monument--which, I might
    say, has enriched the lives of every person in Washington, DC--
    [laughter]--and made those often stuck in what is now America's most
    crowded traffic-patterned city have their time pass a little better;
    Michael Graves has created art that surrounds our lives.
        He calls himself a great practitioner,
    but in some ways his challenge is more daunting than that of a
    physician. As Frank Lloyd Wright once said, ``After all, the doctor can
    bury his mistake,''--[laughter]--``but the architect can only advise his
    client to plant vines.'' [Laughter] The only thing that grows and covers
    Michael Graves' work is our admiration, appreciation, and respect.
        Colonel, read the citation.

    [Lieutenant Colonel Everhart read the citation, and the President
    presented the medal.]

        The President. When it comes to training in the performing arts, the
    Juilliard School stands alone. Juilliard has cultivated the genius of
    artists of world renown. We hear it in the flawless voice of Leontyne
    Price, in the virtuoso violin of Itzhak Perlman, the narrative jazz of
    Wynton Marsalis, the uninhibited humor of Robin Williams.
        But Juilliard does more than develop the skills of gifted artists.
    It instills in every student the obligation to share that talent with
    others through performances in hospitals, nursing homes, hundreds of
    free shows every year at the Lincoln Center.
        In honoring the artist in society, Juilliard opens the doors of art
    to the world. We honor it today for all it has done and all it will do
    in taking the best and making them even better.
        I'd like to ask Dr. Joe Polisi, the
    president of the Juilliard School, to come forward, and I'd like to ask
    the Colonel to read the citation.

    [Lieutenant Colonel Everhart read the citation, and the President
    presented the medal.]

        The President. Norman Lear has held up a
    mirror to American society and changed the way we look at it. From
    Archie Bunker's living room in Queens to Fred Sanford's junkyard in
    Watts, he has employed the power of humor in the service of human
    understanding. His departure from traditional, two-dimensional
    television characters was risky. It showed the enormous respect he has
    for the judgment, the sense, and the heart of the American people.
        He gave us something real. He tackled issues
    head on. Archie Bunker, after all, was the best argument against his own
    bigotry. By laying it out unvarnished, Norman Lear took it apart and, in
    the process, made us laugh out loud. His commitment to promoting
    understanding and tolerance extends far beyond the screen. As founder of
    People For the American Way and the Business Enterprise Trust, he
    continues his work to deepen freedom, defend liberties, and reward
    social responsibility.

    [[Page 1626]]

        The first time I ever met Norman Lear was in
    early 1981, shortly after the Presidential election of 1980, in which I
    became the youngest former Governor in American history. [Laughter]
    Norman Lear invited me to come talk about a project with him in New
    York, and he took me to a play on Broadway that he produced. We went to
    opening night. It closed 3 days later. [Laughter] We are here today
    because the intervening years have been kinder to both of us. [Laughter]
    I'm not sure Archie Bunker would approve, but Meathead would be proud
    and so are we.
        Colonel, read the citation.

    [Lieutenant Colonel Everhart read the citation, and the President
    presented the medal.]

        The President. When she was 7, Rosetta LeNoire broke both her legs; actually, doctors broke them for
    her. She was born with rickets; it was the only way the bones could grow
    in place. Her godfather Bill ``Bojangles'' Robinson, said that dancing
    could strengthen her legs and took her on the road.
        She moved on to success: Broadway, film,
    and, of course, television, where we remember her as Mother Winslow on
    ``Family Matters'' and Nell Carter's mother on ``Gimme a Break.'' But
    with all her talent and drive through the years, discrimination was
    never far behind. So Rosetta did more than dream of a theater with no
    color bar, she actually built one.
        For more than 30 years, the AMAS Musical Theatre in New York City
    has been a place where performers are judged by the caliber of their
    skills, not the color of their skin. As a courageous child,
    Rosetta learned that sometimes you have to
    break things to put them in the right place. Today America thanks her
    for breaking barriers to set our Nation right.
        Colonel, read the citation.

    [Lieutenant Colonel Everhart read the citation, and the President
    presented the medal.]

        The President. In 1967 Harvey Lichtenstein was given an impossible task, to breathe life into the
    Brooklyn Academy of Music, a neighborhood relic on the verge of being
    razed for tennis courts. Not only did he save the academy, he turned it
    into one of the most important avant-garde institutions in the entire
    world.
        In his 32 years as a charismatic
    impresario, visionary, and father of the Brooklyn Academy of Music, he
    sparked the stunning careers of Twyla Tharp, Philip Glass, Mark Morris,
    so many other artists Manhattan had overlooked. He launched the
    wonderful new Next Wave festival and the BAM Opera. He proved that art
    challenges can also be wildly popular.
        He truly changed the way we think.
    Although he just made his curtain call at the Brooklyn Academy, we know
    he will continue to be New York's stellar steward of the arts.
        Colonel, read the citation.

    [Lieutenant Colonel Everhart read the citation, and the President
    presented the medal.]

        The President. Lydia Mendoza's unique
    musical career spans most of the entire course of the 20th century. She
    recorded her first song in a San Antonio hotel room in 1928. More than
    70 years and a thousand songs later, her legacy is as wide and deep as
    the Rio Grande valley.
        Lydia learned much from the oral tradition
    of Mexican music that her mother and grandmother shared with her. In
    turn, she shared it with the world, becoming the first rural American
    woman performer to garner a large following throughout Latin America.
        With the artistry of her voice and the
    gift of her songs, she bridged the gap between generations and cultures.
    Lydia Mendoza is a true American pioneer, and she paved the way for a
    whole new generation of Latino performers, who today are making all
    Americans sing.
        Colonel, read the citation.

    [Lieutenant Colonel Everhart read the citation, and the President
    presented the medal.]

        The President. In late 1949, in the coffeehouses of San Francisco, a
    young classically trained singer named Odetta fell in
    love with folk music and found her true voice. Soon she began recording
    unforgettably soulful albums and touring the world's great stages. In
    the words of one early admirer, ``She has such a strong voice and
    presence that I am left with the irreverent but irresistible feeling
    that if she had been the captain of the Titanic, the ship would not have
    sunk.'' [Laughter]
        For 50 years now Odetta has used her commanding
    power and amazing grace not just to entertain but to inspire. She has
    sung for freedom with Dr. King, lifted the pride of millions of
    children, shaped the careers of young performers like Joan Baez, Bob
    Dylan, and Tracy

    [[Page 1627]]

    Chapman. She is the reigning queen of American folk music, reminding us
    all that songs have the power to change the heart and change the world.
        Colonel, read the citation.

    [Lieutenant Colonel Everhart read the citation, and the President
    presented the medal.]

        The President. It started out as just another odd job for this
    aspiring artist, researching the artistic
    possibilities of plaster used to cast broken bones. ``I had my wife
    cover me head to foot in the stuff,'' he said. ``Once it dried, I broke
    out of it, breaking the mold in the process; then I put it back
    together. It was white, spectral, full of elusive potential, just what I
    had been after.''
        George Segal's art may be inanimate, but
    more than a few of us have had to look twice just to be sure. [Laughter]
    His silent creations speak volumes about the human condition and give
    life to the spaces where they are displayed. His sculptures at the
    Franklin Roosevelt Memorial of the Depression breadline and the fireside
    chat transport us back to that time and place.
        Through all of his work, George Segal has
    brought elegance to the everyday and mystery to the commonplace. Decades
    after his first experiments with plaster, he continues to break the
    mold.
        Colonel, read the citation.

    [Lieutenant Colonel Everhart read the citation, and the President
    presented the medal.]

        The President. George Balanchine once told audiences not to analyze
    ballet. ``Words cannot describe it,'' he said. ``You cannot explain a
    flower.'' So it's impossible to explain the radiance and grace of Maria
    Tallchief.
        She leapt from Oklahoma's Osage Indian
    territory to the center stages of the world. Her partnership with
    Balanchine transformed the ballet world for the ages. She was his
    inspiration for the title role in the ``Firebird.'' She was the first
    Sugarplum Fairy.
        A reviewer once said that hers will
    always be the story of ballet conquering America, but also, I would add,
    the story of America conquering ballet.
        Maria Tallchief took what had been a
    European art form and made it America's own. How fitting that a Native-
    American woman would do that. With magic, mystery, and style, she soared
    above all.
        Colonel, read the citation.

    [Lieutenant Colonel Everhart read the citation, and the President
    presented the medal.]

        The President. And now, ladies and gentlemen, for the National
    Humanities Medals.
        Patricia Battin is saving history. The
    high acidic content of paper threatens to destroy millions of old books,
    but she has led the national campaign to raise awareness about this
    challenge and preserve the genius of the past.
        As the first president of the Commission on Preservation and Access,
    she has helped to spur America's libraries
    and archives to transfer information from so-called brittle books to
    microfilm and optical disks. As a result, more than 770,000 books have
    already been preserved. She's also one of our Nation's leading
    authorities on changing learning patterns of the digital age. From 19th
    century books to 21st century technology, Patricia Battin is
    strengthening our storehouse of knowledge for the future.
        Thank you for saving the knowledge of
    the past for the children of tomorrow.
        Colonel, read the citation.

    [Lieutenant Colonel Everhart read the citation, and the President
    presented the medal.]

        The President. When it comes to the struggle for peace, justice, and
    freedom, Taylor Branch literally has written
    the book. With vivid prose and clear-eyed detail, his two volumes on the
    Martin Luther King years recount a man and a movement that changed
    America for good. As Taylor has said, ``It is really the story of
    ordinary people who took risks to enlarge freedom. And we have a much
    better country for it.''
        Those aren't just Taylor Branch's words;
    they also reflect his life. Growing up in segregated Atlanta, Taylor
    Branch saw discrimination everywhere he looked. But through it all, he
    also saw something else, an America where we heal our racial wounds,
    celebrate our differences, and move forward together.
        We grew up in the same sort of South, affected by the limits, the
    longing, and the language of race, in all of its myriad manifestations.
    I met Taylor Branch 30 years ago this month. I
    knew then he was a remarkable young man. And I must tell you, I am very
    proud of the gifts he has given America in the years since.
        In an early sermon, Dr. King said, ``After one has discovered what
    he is made for, he

    [[Page 1628]]

    should seek to do it so well that no one could do it better.'' Anyone
    who has read the work of Taylor Branch knows,
    no one does it better.
        Colonel, read the citation.

    [Lieutenant Colonel Everhart read the citation, and the President
    presented the medal.]

        The President. More than two decades ago, Jacquelyn Dowd Hall explained to an elderly woman why she wanted
    to tape her memories. After listening closely to all of Professor Hall's
    words, the senior citizen looked up and said, ``I understand. You don't
    have to be famous for your life to be history.'' That became the motto
    of the Southern Oral History Program directed by Jacquelyn Dowd Hall,
    and the rest is truly history.
        The program, centered at the University of North Carolina, rings
    with the voices of millworkers who have lost their jobs, civil rights
    leaders marching for freedom, ordinary folks building their communities.
    And I might add, there is a young person from Arkansas by the name of
    Clinton whose voice is on one of those tapes who was on the verge of
    something really big, losing his first election. [Laughter]
        Anyone who grew up in the South knows that no book can capture the
    color and the vibrancy that you hear in the everyday conversations on
    Main Street, in general stores, on the front porches, and the backyards.
    So all of us, whether we are from the South or not, can say thank you,
    Jacquelyn Dowd Hall, for capturing that
    unique and wonderful voice, for recording history through the lives of
    ordinary people, and, in so doing, for making history.
        Colonel, read the citation.

    [Lieutenant Colonel Everhart read the citation, and the President
    presented the medal.]

        The President. He was born in Anoka,
    Minnesota, but we know him as the man from Lake Wobegon: a town with a
    name derived, he tells us, from the Native-American phrase meaning, ``We
    sat in the rain all day waiting for you,''--[laughter]--a place he
    confesses, settled by pioneers who had stopped a little short, having
    misread their map but refused to admit it. [Laughter] Well, Garrison
    Keillor has never stopped short. Just ask the Governor of Minnesota.
    [Laughter]
        Millions of listeners plan their weekends around his ``Prairie Home Companion.'' It's always blaring on
    the radio in the White House. No one wants to miss a minute of his
    homespun humor, homegrown music, and stories of hometown America. And he
    never leaves it behind.
        Today when I shook hands with Garrison
    he said, ``Well, I understand that you had a cancellation and had to put
    me in at the last minute.'' [Laughter] I didn't have the heart to tell
    him how sorry I was that Rush Limbaugh couldn't make it today.
    [Laughter]
        With imagination and wit, but also with a steel-trap mind and deep
    conviction, Garrison Keillor has brought us
    together and constantly reminds us how we're all connected and how it
    ought to keep us a little humble.
        We all have a little Lake Wobegon in us, and our homes will always
    have a place for Garrison Keillor, our
    modern-day Mark Twain.
        Colonel, read the citation.

    [Lieutenant Colonel Everhart read the citation, and the President
    presented the medal.]

        The President. While studying to be a newspaperman in a small Texas
    town, Jim Lehrer worked nights at a bus depot
    calling out departures and arrivals over a microphone. You might say
    that's what he had to do for politicians after he assumed his position
    on television. [Laughter] He learned to speak clearly, be polite, stick
    to the facts, traits that would become his signature style as one of the
    most respected and beloved figures in American broadcast journalism.
        When sound bites and sensationalism began taking over TV news in the
    early 1970's, he teamed up with broadcaster Robert MacNeil to start a nightly newscast that offered the opposite:
    long, in-depth stories and interviews on the serious topics of the day;
    a show where guests are treated as guests; viewers are treated as
    intelligent; viewpoints are treated with respect.
        Novelist, playwright, journalist, moderator of Presidential debates,
    asker of hard and probing questions--[laughter]--in a deceptively
    civilized way--[laughter]--Jim Lehrer is a modern
    man of letters who has left us a gift of professionalism and civility,
    of true learning and the enlargement of our citizenship by his work.
        Colonel, read the citation.

    [Lieutenant Colonel Everhart read the citation, and the President
    presented the medal.]

        The President. John Rawls is perhaps the
    greatest political philosopher of the 20th century. In 1971, when
    Hillary and I were in law school, we were among the millions moved by

    [[Page 1629]]

    a remarkable book he wrote, ``A Theory of Justice,'' that placed our
    rights to liberty and justice upon a strong and brilliant new foundation
    of reason.
        Almost singlehandedly, John Rawls revived the
    disciplines of political and ethical philosophy with his argument that a
    society in which the most fortunate helped the least fortunate is not
    only a moral society but a logical one. Just as impressively, he has
    helped a whole generation of learned Americans revive their faith in
    democracy itself.
        Ladies and gentlemen, Margaret Rawls will
    accept the medal on behalf of her husband.
        Colonel, read the citation.

    [Lieutenant Colonel Everhart read the citation, and the President
    presented the medal.]

        The President. Any time we look at all that Steven
    Spielberg has managed to create on film, we
    know that that is what God put him here to do. Like Orson Wells, he was
    a true cinematic prodigy. He shot his first movies at the age of 12. By
    the ripe old age of 35, he was already one of our most gifted
    storytellers, with ``Close Encounters,'' ``Raiders of the Lost Ark,''
    and ``E.T.'' But when his insatiable moral and imaginative hunger drove
    him to create such resident masterpieces as ``Schindler's List,'' one of
    the most important movies of the 20th century, and the remarkable,
    ``Saving Private Ryan,'' we saw that he was an astonishing historian, as
    well.
        On top of his creative mastery, Steven
    has devoted enormous time and resources to preserving Holocaust
    testimonies, supporting righteous causes, unleashing the power of
    entertainment and technology to help seriously ill children to heal.
        Steven Spielberg could have gotten the
    National Medal of the Arts, but I think he would want most to be
    remembered for his contributions to humanity. I also want to thank him
    for all the many times that he and Kate and
    their wonderful children have enriched our lives and all the things he
    tells me that keep me thinking.
        Today I was talking to Steven, and he
    said, ``How are you?'' And I said, ``I'm doing pretty good for an older
    guy.'' He said, ``Yes, but did you see that article that says that our
    children, certainly our grandchildren will live to be 150?'' And I got
    to thinking that--Hillary talked
    Steven into making the movie that we will show at the American
    millennial celebration on The Mall on New Year's Eve, as we see the
    turning of the millennium. And Steven has agreed to create this 18-
    minute movie of the century, 100 years in 18 minutes, so we'll feel like
    we're 150. [Laughter] He always finds a way to make it work.
        Colonel, read the citation.

    [Lieutenant Colonel Everhart read the citation, and the President
    presented the medal.]

        The President. Long before ``Fences,'' before ``Seven Guitars,''
    before ``Two Trains Running,'' before his two Pulitzers, August
    Wilson wrote an essay. He was in high school,
    and his teacher refused to believe that a black student could have
    produced something that good. Disgusted by the low expectations of his
    teacher, August Wilson took refuge in the library. This is what he said:
    ``I found books by black writers and realized I could do that. I could
    have a book on a shelf.''
        From the dimly lit library stacks to the bright lights of the stage,
    he has chronicled the African-American
    experience throughout the 20th century, decade by decade, with epic
    plays of dreams and doubts, humor and heartbreak, mystery and music.
        Years ago, August Wilson asked a friend
    and fellow writer, ``How do you make your characters talk?'' His friend
    replied, ``You don't; you listen to them.'' America is richer for the
    listening voice, and the landmark drama of August Wilson.
        Colonel, read the citation.

    [Lieutenant Colonel Everhart read the citation, and the President
    presented the medal.]

        The President. Ladies and gentlemen, we thank you for sharing in
    this celebration and being a part of this last arts and humanities
    awards ceremony of the 20th century. On behalf of our Nation, I thank
    our honorees for all they have done for us, and I thank you all for
    supporting their work, for helping to shape our society, lift our
    spirits, expand our boundaries, and share our gifts with the world.
        Thank you, and goodbye. Thank you.

    Note: The President spoke at 12:55 p.m. at Constitution Hall. In his
    remarks, he referred to former Senator George J. Mitchell, who chaired
    the multiparty talks in Northern Ireland; and Mr. Spielberg's wife,
    actress Kate Capshaw.