[Public Papers of the Presidents of the United States: William J. Clinton (1996, Book II)]
[December 8, 1996]
[Pages 2178-2180]
[From the U.S. Government Publishing Office www.gpo.gov]



Remarks at the Kennedy Center Honors Reception
December 8, 1996

    Thank you very much, and welcome to the White House. Every year 
Hillary and I look forward to the Kennedy Center honorees coming here, 
especially because this is such a great season of celebration. Tonight 
we pay tribute to five performing artists whose work has transformed the 
landscape of American art.
    America is more than the land we live on. It is even more than its 
people. It is an ideal. Our artists express that ideal and give voice to 
the common experience. They are the singers of the American soul. Their 
art challenges us and deepens our understanding of ourselves and the 
world around us. It is my privilege to welcome them, along with their 
families and friends, to the White House.
    Edward Albee's life epitomizes the rebellious spirit of art. Maybe I 
ought to repeat that. [Laughter] From childhood, he challenged 
convention. He left college for the streets of New York, where he worked 
by day and wrote by night. For 10 years he pursued his art with single-
minded purpose but without recognition. Then, in only 3 weeks in 1958, 
he wrote a play that took the American theater by storm and changed it 
forever, ``Zoo Story,'' a play about a young drifter and a well-to-do 
stranger who meet on a lonely park bench. It was the first of many plays 
by Edward Albee that dared us to look at ourselves in the same stark 
light he turned on our fears, our failings, and our dreams. For over 40 
years, his work has defied convention and set a standard of innovation 
that few can match. From ``Who's Afraid of Virginia Woolf'' to ``Tiny 
Alice'' to ``Three Tall Women,'' his plays have invigorated the American 
theater and inspired a new generation of playwrights to do the same.
    Tonight our Nation, born in rebellion, pays tribute to you, Edward 
Albee. In your rebellion, the American theater was reborn.
    Bennett Leslie Carter was born in the tough New York neighborhood 
that became the site of the Lincoln Center, where eight decades later he 
would be cheered to the rafters. From the small clubs of the Harlem 
Renaissance where he began playing saxophone to world tours for the 
biggest of the big bands, Benny Carter redefined American jazz. From the 
start, his fellow musicians said the way he played the sax was amazing. 
They say that about me, too. [Laughter] But I don't think they mean it 
in quite the same way. [Laughter]
    Benny Carter's influence on jazz is immeasurable. Whether he played 
with them or not, all the great bands used his arrangements. He 
virtually arranged the Swing Era, and his rhythms have set feet tapping 
all over the world. Indeed, on our recent trip to Thailand when Hillary 
and I visited with the King and Queen--the King, as some of you may 
know, is one of the world's greatest jazz fans--and 3 minutes

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after I was introduced to him, he said, ``Now, do you know Benny Carter? 
He was just here.'' [Laughter]
    His sounds have suffused American films and television, from Busby 
Berkeley to the Marx Brothers, from ``Stormy Weather'' to ``Hannah and 
Her Sisters.'' And he brought jazz to the Philharmonic and Carnegie 
Hall, ensuring its rightful place in our cultural pantheon. Benny's 
popularity is as strong as ever. He was named Jazz Artist of the Year in 
his eighties. And this year, at 89, he has performed from Bangkok to 
Boston. We are grateful that he--we're glad he was willing to take the 
weekend off--[laughter]--to receive our Nation's standing ovation. Thank 
you, Benny Carter.
    Johnny Cash grew up chopping cotton in a small town in southeast 
Arkansas. Every Sunday in a little church, he was transported by gospel 
music from the hard world he knew to a far horizon. And he transformed 
the trouble he had known into gruff music of ache, heart, and hope, even 
against the odds. He was still just a kid in the Army when he wrote 
``Folsom Prison Blues'' and just out of the service when ``I Walk the 
Line'' hit the charts. Fifty million records and 27 albums later, Johnny 
Cash has redefined the boundaries of country music. He is the loner, the 
man in black, a hard edged writer with a soft heart. With his wife, the 
very gifted June Carter Cash, and family often by his side, he has 
traveled all over the world to give a voice to the feelings of farmers 
and workers, prisoners and lovers.
    From the heartland of America, he's sung for the people who are the 
heart of America. Through his music, he has proved again and again the 
redeeming power of struggle and faith. And he has made country music not 
just music for our country but for the entire world. Johnny Cash, you 
have our applause, our admiration, and we have your records. [Laughter]
    Jack Lemmon first appeared on the stage at the age of 4. He had just 
one line, ``Hark! A pistol shot.'' [Laughter] The audience laughed then, 
too. [Laughter] And a star was born. Consumed with a passion for 
performing, the young Jack Lemmon didn't have much time for books. Even 
at Harvard, he spent more time writing songs than essays. But he was 
preparing himself for a different future, studying to become one of the 
most gifted actors of our time.
    Once called ``a clown for the age of anxiety,'' Jack Lemmon embodies 
a typically American sense of humor, fresh, irreverent, wryly 
optimistic, even when the chips are down. From ``Mister Roberts'' to 
``Some Like It Hot'' to ``Grumpy Old Men,'' one and two, he is at once a 
hilarious everyman and a complete original. And in dramatic works like 
``Missing'' and ``Glengarry Glen Ross,'' he has taken the kind of risks 
that elevate an actor's work from the unremarkable to the unforgettable.
    Now, you know he is portraying a former President of the United 
States in a new movie, ``My Fellow Americans,'' a President, I might 
add, of the other party--[laughter]--but I'd still like to have points 
from Jack Lemmon any day, and America thanks you, Jack Lemmon, for all 
the points you've given to us. God bless you.
    Maria Tallchief was born in the Osage Indian Territory of Oklahoma. 
She was invited to dance at the Hollywood Bowl at the age of 15 and 
joined the famed Ballet Russe de Monte Carlo not long after that. Her 
talent destined her for distinction, and once she met George Balanchine, 
their brilliant collaboration ensured her place in dance history. At the 
New York City Ballet, which she helped turn into America's greatest 
dance company, she thrilled audiences with her performances of 
``Firebird'' and ``Swan Lake.'' She could spin across the stage faster 
than any other ballerina, but she did it with an ethereal grace that 
made it look effortless. Critics and fans said it was pointless to watch 
anyone else when she was on stage.
    A great cultural ambassador, Maria Tallchief brought American ballet 
to the world, even in dancing in Moscow at the height of the cold war. 
She put an American stamp on every role she danced. Her art is preserved 
not only in film but in the memories of everyone who ever saw her 
perform. And her influence lives on now in the young dancers she 
teaches. Thank you, Maria Tallchief, for the radiance of your art.
    Edward Albee, Benny Carter, Johnny Cash, Jack Lemmon, Maria 
Tallchief: five artists who have devoted their entire lives to enriching 
our lives. It is nearly impossible to measure the extent of their 
influence or the pleasure they have brought to so many millions of 
people. We honor them tonight for their passion, for their spirits, for 
the American ideal they bring to life in their work.

[[Page 2180]]

    Thank you, thank you, and God bless you all.

Note: The President spoke at 5:48 p.m. in the East Room at the White 
House.