[Congressional Record (Bound Edition), Volume 146 (2000), Part 7]
[House]
[Pages 9570-9572]
[From the U.S. Government Publishing Office, www.gpo.gov]



          RECOGNIZING THE IMPORTANCE OF AFRICAN-AMERICAN MUSIC

  Mr. GOODLING. Madam Speaker, I move to suspend the rules and agree to 
the resolution (H. Res. 509) recognizing the importance of African-
American music to global culture and calling on the people of the 
United States to study, reflect on, and celebrate African-American 
music, as amended.
  The Clerk read as follows:

                              H. Res. 509

       Whereas artists, songwriters, producers, engineers, 
     educators, executives, and other professionals in the music 
     industry provide inspiration and leadership through their 
     creation of music, dissemination of educational information, 
     and financial contributions to charitable and community-based 
     organizations;
       Whereas African-American music is indigenous to the United 
     States and originates from African genres of music;
       Whereas African-American genres of music such as gospel, 
     blues, jazz, rhythm and blues, rap, the Motown sound, and 
     hip-hop have their roots in the African-American experience;
       Whereas African-American music has a pervasive influence on 
     dance, fashion, language, art, literature, cinema, media, 
     advertisements, and other aspects of culture;
       Whereas the prominence of African-American music in the 
     20th century has reawakened interest in the legacy and 
     heritage of the art form of African-American music;
       Whereas African-American music embodies the strong presence 
     of, and significant contributions made by, African-Americans 
     in the music industry and society as a whole;
       Whereas the multibillion dollar African-American music 
     industry contributes greatly to the domestic and worldwide 
     economy;
       Whereas African-American music has a positive impact on and 
     broad appeal to diverse groups, both nationally and 
     internationally; and
       Whereas in 1979 President Carter recognized June as 
     African-American Music Month, and President Clinton 
     subsequently recognized June as African-American Music Month: 
     Now, therefore, be it

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       Resolved, That the House of Representatives--
       (1) recognizes the importance of the contributions of 
     African-American music to global culture and the positive 
     impact of African-American music on global commerce; and
       (2) calls on the people of the United States to take the 
     opportunity to study, reflect on, and celebrate the majesty, 
     vitality, and importance of African-American music.

  The SPEAKER pro tempore. Pursuant to the rule, the gentleman from 
Pennsylvania (Mr. Goodling) and the gentleman from Pennsylvania (Mr. 
Fattah) each will control 20 minutes.
  The Chair recognizes the gentleman from Pennsylvania (Mr. Goodling).


                             General Leave

  Mr. GOODLING. Madam Speaker, I ask unanimous consent that all Members 
may have 5 legislative days within which to revise and extend their 
remarks on H. Res. 509.
  The SPEAKER pro tempore. Is there objection to the request of the 
gentleman from Pennsylvania?
  There was no objection.
  Mr. GOODLING. Madam Speaker, I yield myself such time as I may 
consume.
  I rise today in support of H. Res. 509 offered by the gentleman from 
Pennsylvania (Mr. Fattah), a very important member of our Committee on 
Education and the Workforce. I particularly want to call to all of my 
colleagues' attention that the gentleman has indicated that we will 
have a most memorable and enjoyable meeting in the City of Brotherly 
Love when our convention meets there. He has assured me that the bad 
name that the city gets on sporting events from time to time has 
nothing to do with the people of the City of Brotherly Love. I think he 
said they come from across the river, the ones that cause the trouble. 
Now he is in trouble with the people across the river.
  Madam Speaker, African-American music has been a part of the American 
and global culture for decades. From glorious gospel blues, jazz, 
rhythm and blues to rap and hip-hop, African-American music has 
influenced all aspects of our society in the form of dance, fashion, 
language, art, literature, cinema, media, and advertisements.
  Throughout time, African-American artists, songwriters, educators, 
and other professionals in the music industry have provided inspiration 
and leadership through their creation of music, dissemination of 
educational information, and financial contributions to charitable and 
community-based organizations that had allowed African-American music 
to embody the strong presence of and significant contributions made by 
African Americans. All in all, African-American music has made a 
positive impact on and a broad appeal to diverse groups, both 
nationally and internationally.
  Madam Speaker, this resolution is very simple. We want to rightly 
recognize and celebrate the magnificent contributions that African-
American music has provided, not only in shaping the social and 
political fabric of our Nation, but to the global culture as well.
  I commend the gentleman from Pennsylvania for his leadership in 
authoring this legislation, and I urge my colleagues to vote in its 
support.
  Madam Speaker, I reserve the balance of my time.
  Mr. FATTAH. Madam Speaker, I yield myself such time as I may consume.
  I rise in support of H. Res. 509. I would like to thank the chairman 
of the committee for facilitating this legislation's appearance here on 
the floor, and I would share with him again that we look forward to 
welcoming the Republican National Convention in Philadelphia. It is the 
first time our city will be hosting a convention in the last 50 years.
  Philadelphia is an appropriate place for either of our national 
parties to meet because it is the founding city of our country in which 
the document that was referred to earlier, the Declaration of 
Independence, was penned. Notwithstanding a few people who do not live 
in our city who may come to a sporting event and not act appropriately, 
the citizens of our city have agreed that they are going to be 
Republicans for a whole week when they come for the convention.
  Then, on this particular legislation, Philadelphia has played and 
continues to play, a very important role in the development of African-
American music from the Philadelphia Sound, and Marian Anderson, and a 
host of others. This year I have introduced this resolution, 
particularly in honor of the late great Grover Washington, Jr. and 
Curtis Mayfield who both have passed, but the contributions of African 
Americans in the field of music are well known; and they go through all 
of the different types of music, from gospel to jazz to hip-hop and the 
like.
  Madam Speaker, I want to thank the majority, particularly the 
chairman, for allowing this resolution. It is important because, in 
this month of June under the leadership of the International 
Association of African-American Music under the leadership of Diana 
Williams, there will be an important acknowledgment, and this dates 
back decades now from Jimmy Carter up through President Bill Clinton, 
acknowledging this month, and I think it is appropriate that the 
Congress does likewise. I want to thank all of my colleagues and hope 
for favorable consideration of this resolution.
  Mr. KNOLLENBERG. Madam Speaker. I rise today to express my support 
for House Resolution 509 which extolls the contributions of African-
American music to American culture. I would like to thank the gentleman 
from Pennsylvania, Chairman Goodling, and the gentleman from 
Pennsylvania, Mr. Fattah, for their fine work in crafting this 
resolution and also for allowing me to insert language into this bill 
recognizing the importance of the Motown Sound.
  Motown, as many of us will remember, Madam Speaker, is the recording 
label started in Detroit, Michigan back in 1959.
  The Motown story is the story of Berry Gordy, Jr., who was born in 
Detroit, Michigan on November 28, 1929. He was the seventh of eight 
children of Berry, Sr. and Bertha Gordy who themselves moved to Detroit 
from the South. After being drafted into the Army in 1951, he obtained 
his high school equivalency degree while in the Army. When Berry got 
out of the Army 1953, he opened a jazz-oriented record store called the 
3-D Record Mart with his family's help. By 1955, the store had failed 
and Berry was working on the Ford automobile assembly line. While 
working on the line, Berry constantly wrote songs, submitting them to 
magazines, contests, and singers. His first break as a songwriter came 
in 1957 when Jackie Wilson recorded ``Reet Petite'', a song he, his 
sister Gwen and Billy Davis (under the pseudonym of Tyran Carlo) had 
written. ``Reet Petite'' became a modest hit and netted Berry $1,000 
for the song. The rest, as they say, is history--a wonderful history of 
African-American contributions to American music and culture.
  The list of entertainers that share their roots in Motown is long and 
incredibly distinguished. Their music forms an integral part of the 
American experience. This list includes Jackie Wilson, the Miracles, 
the Four Tops, Marvelettes, Martha and the Vandellas, Supremes, the 
Temptations, Marvin Gaye, Stevie Wonder, Mary Wells, Mickey Stevenson, 
Smokey Robinson, Holland-Dozier-Holland, the Funk Brothers, Gladys 
Knight and the Pips, the Isley Brothers, Diana Ross and the Supremes, 
Marvin Gaye, Michael Jackson, the Jackson 5, the Commodores, and Lionel 
Ritchie to name only a few. Motown afforded these and many other 
talented performers the opportunity to showcase their music to all of 
America.
  In 1970 Motown established a new subsidiary label called Black Forum 
that released the historical speeches of Dr. Martin Luther King Jr., 
Stokely Carmichael and black poets such as Langston Hughes and Margaret 
Danner. The Motown label continues to thrive today, ensuring that 
future generations will be able to enjoy this rich musical tradition.
  For ready information about Motown I would like to express a special 
thank you to Mike Callahan and his web page, http://www.bsnpubs.com/
motownstory.html. I would also like to recommend and thank the web site 
of the Recording Institute Of Detroit at http://www.recordingeq.com/
motown.htm. There you can find a photo essay tour of the Motown 
Historical Museum guided by Robert Dennis, Former Mastering Supervisor, 
Motown. For the museum's excellent photos I would like to thank Nick 
David for REQ and the Motown Historical Museum. An in-person visit is 
always better. You can contact the museum at (313) 875-2264.
  The Motown Historical Museum is housed in two adjacent and connected 
buildings at 2648

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West Grand Boulevard, Detroit, Michigan. These are the two original 
buildings out of the eight West Grand Boulevard buildings that Motown 
owned on the boulevard in the 1960's--before the company moved its 
headquarters to a ten-story office building on Woodward Avenue in 
downtown Detroit. The Motown Studio A remained at Hitsville, USA.
  In light of Motown's historic musical contribution, I felt it 
necessary that we include recognition of the Motown Sound in this 
resolution and highlight a fantastic chapter of the Detroit area's 
place in history. Congratulations and thank you to Motown!
  Mr. FATTAH. Madam Speaker, I yield back the balance of my time.
  Mr. GOODLING. Madam Speaker, I encourage all of my colleagues to 
support this legislation, and I yield back the balance of my time.
  The SPEAKER pro tempore. The question is on the motion offered by the 
gentleman from Pennsylvania (Mr. Goodling) that the House suspend the 
rules and agree to the resolution, H. Res. 509, as amended.
  The question was taken.
  Mr. GOODLING. Madam. Speaker, on that I demand the yeas and nays.
  The yeas and nays were ordered.
  The SPEAKER pro tempore. Pursuant to clause 8 of rule XX and the 
Chair's prior announcement, further proceedings on this motion will be 
postponed.

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