[Congressional Record Volume 161, Number 108 (Monday, July 13, 2015)]
[Senate]
[Pages S4987-S4988]
From the Congressional Record Online through the Government Publishing Office [www.gpo.gov]
BASIN AND RANGE NATIONAL MONUMENT
Mr. REID. Madam President, cowboy poet Georgie Connell Sicking
conveyed my feelings for the Nevada desert in her poem ``Nevada's
Subtle Beauty.''
This picture I have in the Chamber has appeared all over the country.
It appeared, for example, in the Washington Post a week or so ago, and
there are other pictures that show this at more of a distance. The man
there is so small compared to the vastness of the Nevada terrain. But
here is what Georgie Sicking said in her poem:
Have you gone outdoors one morning after a summer rain,
With a gentle breeze blowing across a black sage valley
And smelled the earthy sagey freshness, none like it on this
earth.
It sure makes life worth living, and you know when God was
giving, He didn't short-change Nevada.
Have you ever in the afternoon watched the mountains changing
colors,
From the shadows as they grow from brown and black to tan and
violet,
Or sometimes the deepest blue.
Ever changing, ever different, they seem to smile, then
frown,
Waiting for sky colors to be added as the sun goes down.
If these things I mention you have seen and felt and known,
Beware, for Nevada has a hold on you and will claim you for
her own.
This is not Iowa terrain. It is very typical Nevada terrain, the
deserts of Nevada. It is perfect. It is peaceful. It is the Nevada
desert. It feels right. To me, it feels like home.
Last Friday, President Obama permanently protected over 700,000 acres
of land in Eastern Nevada as the Basin and Range National Monument,
which photographer Tyler Roemer has captured beautifully in these
pictures.
The land President Obama designated as a monument--two basins and one
range--is a perfect example of the stark beauty of the Nevada desert.
This monument is an area where the Mojave Desert meets the Great Basin
and Joshua trees and cactus give way to sagebrush. This monument is an
area that is home to desert bighorn sheep, mule deer, elk, and
pronghorn antelope.
This monument is an area that provided food and shelter for Native
Americans and is where one can see their history today in incredible
rock art panels we call petroglyphs. This monument is an area that
reflects the pioneering western history from early explorers to the
ranching that still exists.
Four or five years ago, I visited this area. I had been in the area
but not here. I went there for a number of reasons. I had been informed
of a five-decade-old art project in the middle of the vastness of this
desert. While going to see this work of art, I also saw the unique
beauty of the Nevada desert, and it is unique. After I completed my
trip, in giving this a lot of thought and contemplation, I became
passionate about doing something to protect and preserve this
incredible work of art and the stark beauty of the desert, both of
which are priceless.
This picture is part of the City. This work of art has taken 48 years
to construct. It is the size of the National Mall here. It is a couple
miles long and very wide--almost a mile wide. It is something that is
in the center of the Basin and Range National Monument. It is called
the City. It is a grand modern art sculpture the size of, I repeat, the
National Mall, part of which you can see in this photo from a group
called the Triple Aught Foundation.
The creator is internationally renowned artist Michael Heizer, who is
known all over the world. He has been working on this project, as I
indicated, since 1972.
[[Page S4988]]
The New York Times has called City ``the most ambitious sculpture
anyone has ever built, one of those audacious improbable American
dreams at the scale of the West, conceived for the ages.'' The canvas
which makes up the background of his art is the untouched desert land
of the Basin Range, which makes it all the more monumental. Hundreds
and hundreds of people worked on this under the guidance of Michael
Heizer. He has done remarkable stuff all over the world. The latest
thing he did is in Los Angeles--in the middle of the city of Los
Angeles at the Los Angeles County Museum of Art. That is a big project,
but it pales in comparison to this. What he did there, he moved a rock
weighing 400 tons 102 miles through the cities of California. It is
called Levitated Mass. The thing in L.A.--this 400-ton boulder--looks
like it is suspended in space. It is not. But people walk under it.
I talked very recently to the Los Angeles County Museum director, and
he said this thing needs no advertising. People come to see this. And
that is the same way this will be. This is a wonderful piece of art.
One of the art critics for the Washington Post said it was the most--
and I am paraphrasing--significant piece of art in the last 50 years in
America.
When I first brought this up to President Obama, he said: Tell me
what it is. Explain it to me. I said: I can't. How, Madam President, as
you are presiding over this body, would you describe this? It is really
hard to describe, and we are only seeing a tiny bit of this. It is 2
miles long and 1 mile wide, approximately.
He has done amazing things. He has developed his own dirt. We have
plenty of dirt in the desert, but he was afraid it would be washed
away. This will never be washed away--the same up here.
As I indicated, he has art projects all over the world, but he is
from Nevada. He has spent a lot of his time in Nevada for the last 48
years, in addition to his other projects. So I am very happy this has
happened in Nevada.
By using his authority under the Antiquities Act, President Obama has
helped preserve the life, history, and culture of Nevada--the land I
love.
Look at this. This has been preserved for my children, my
grandchildren, their children, and their grandchildren. This is
exquisite.
Nevada is growing very rapidly. In the southern part of the State--
Las Vegas--there are about 3 million people now. People are traveling
all over Nevada, and we don't have--even though it is a very large
State--much unspoiled land, but this is something that has not been
spoiled. There are no roads through it, no railroads, no power lines.
This is beautiful, and I am so glad the President did this.
As renowned journalist Steve Sebelius wrote in his Sunday column in
the Las Vegas Review-Journal, ``Preserving the land from development
was the right thing to do. History will bear that out, long after the
wails of the disaffected have ceased to echo through the desert canyons
of Nevada's newest monument.''
I yield the floor.
I suggest the absence of a quorum.
The PRESIDING OFFICER. The clerk will call the roll.
The legislative clerk proceeded to call the roll.
Mr. DURBIN. Madam President, I ask unanimous consent that the order
for the quorum call be rescinded.
The PRESIDING OFFICER. Without objection, it is so ordered.
Mr. DURBIN. Madam President, I ask unanimous consent to speak in
morning business.
The PRESIDING OFFICER. Without objection, it is so ordered.
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