[Congressional Record Volume 157, Number 95 (Wednesday, June 29, 2011)]
[Senate]
[Pages S4218-S4219]
From the Congressional Record Online through the Government Publishing Office [www.gpo.gov]
UTAH SHAKESPEARE FESTIVAL
Mr. HATCH. Mr. President, today I wish to pay tribute to the Utah
Shakespeare Festival, the Nation's premier regional theater and one of
our State's crown jewels, on the occasion of its 50th anniversary.
[[Page S4219]]
Great things often evolve from small or modest beginnings. That was
certainly the case in 1961 when Fred C. Adams and his late wife,
Barbara, founded the event in Cedar City with lofty goals, a bargain-
basement budget of $1,000, and 21 volunteers. They envisioned what few
others could see--that the 150,000 tourists who flocked to the area
each summer might also be gathered for a theater festival.
Today, the Utah Shakespeare Festival is the proud recipient of a Tony
Award for being the ``outstanding regional theatre in America.'' It
operates year-round, boasts a $6.6 million budget, employs 26 Equity
actors and has another 300 community volunteers. Its repertoire has
also expanded. Yes, Shakespeare is still the main attraction, but the
festival also stages plays from three centuries of playwrights from all
across Europe and the United States.
Not bad for a festival that is 250 miles from Salt Lake City, the
State's largest metropolitan area.
Geography, though, can hardly be the sole consideration for theatre
aficionados who wish to attend the festival. It is simply too good and
too glorious to miss, for mileage's sake. That is why I and millions of
others have eagerly gone the distance many times to take in
Shakespeare's plays at the open-air Adams Memorial Theatre--modeled
after the playwright's famed Globe Theatre in London--and other
offerings at the indoor Randall L. Jones Theatre. Every time I have
gone, I have been thoroughly entertained and richly rewarded.
But the past is past, or, as Shakespeare put it, ``What is past is
prologue.'' I look forward to many more productions there, and for the
event to capture ever-more acclaim and captivate ever-larger and more
appreciative audiences. Perhaps the Bard of Avon's words best sum up
the festival's future: ``The golden age is before us, not behind us.''
I firmly believe that to be true.
On this, the 50th anniversary of the Utah Shakespeare Festival, I
salute the visionaries like Fred and Barbara Adams, Executive Director
R. Scott Phillips, and the scores of organizers, performers, and
volunteers who have and continue to make this wonderful event possible.
I commend them for a wonderful 50 years and wish them well as they
embark on the next 50 and continue to carry out the festival's mission
to ``entertain, enrich and educate.''
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