[Congressional Record Volume 153, Number 87 (Friday, May 25, 2007)]
[Extensions of Remarks]
[Page E1170]
From the Congressional Record Online through the Government Publishing Office [www.gpo.gov]




                      A TRIBUTE TO FRANCIS JOHNSON

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                          HON. ROBERT A. BRADY

                            of pennsylvania

                    in the house of representatives

                         Thursday, May 24, 2007

  Mr. BRADY of Pennsylvania. Madam Speaker, I rise today to celebrate 
Francis ``Frank'' Johnson's accomplished career and influential musical 
legacy. Born in 1792 in Philadelphia, Johnson was well known as a 
professional musician by age 20. Overcoming the barriers of racism, 
Johnson achieved incredible success even in the face of such racial 
strife, composing over 300 pieces of music. Further, in a time when 
professional musicians were a rarity in the United States, Johnson 
established a career with incredible variety and importance that has 
had an impact on countless modern musicians.
  Johnson trained with Richard Wills, the West Point band leader, and 
quickly mastered many instruments like the keyed bugle. He published 
his first composition, ``A Collection of New Cotillions,'' in 1818, and 
soon became one of Philadelphia's premier musicians. Johnson's vast 
musical accomplishments were noted by author Robert Walsh in 1819, 
commenting: ``In fine, he is the leader of the band at all balls, 
public and private; sole director of all serenades, acceptable and 
unacceptable; inventor-general of cotillions; to which add, a 
remarkable taste in distorting a sentimental, simple, and beautiful 
song, into a reel, jig or country-dance.''
  It is an honor to recognize a figure who was able to overcome 
incredible hardships to create a legacy that has affected countless 
generations. I ask you and my other distinguished colleagues to join me 
in commending Francis Johnson for his renowned musical achievements and 
lasting influence.

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