[Congressional Record Volume 152, Number 117 (Tuesday, September 19, 2006)]
[House]
[Page H6710]
From the Congressional Record Online through the Government Publishing Office [www.gpo.gov]
EARLINE HEATH KING
Ms. FOXX. Madam Speaker, I ask unanimous consent to speak out of
order for 5 minutes.
The SPEAKER pro tempore. Without objection, the gentlewoman from
North Carolina is recognized for 5 minutes.
There was no objection.
Ms. FOXX. Madam Speaker, I am happy to rise today to honor Mrs.
Earline Heath King of Winston-Salem, North Carolina, for her exemplary
artistic career.
Mrs. King is an internationally recognized sculptor whose work
decorates private residences and public places around the world. I am
honored to recognize a remarkable woman who at all stages of her life
has boldly sought to inspire young minds, adorn public spaces, and
share her talents so beautifully with others. At a time when many of us
worry about regrets regarding a life foregone, Mrs. King discovered a
means to express her creativity that continues to inspire both young
and old today.
Born in 1913 in Winston-Salem, North Carolina, Mrs. King did not
begin her sculpting career until she was 50 years old. However, while
growing up, she discovered an early interest in the arts. She recalls
drawing advertisements for her father, a local barber, by drawing
ladies with the latest hairstyles. In addition, she found artistic
inspiration in her mother's own handiwork of embroidery, knitting, and
tatting.
However, Mrs. King's first serious interest in the arts began during
her studies at R.J. Reynolds High School in Winston-Salem. After her
initial evaluation, she was advised to major in art and music along
with her academic curriculum. During this time, Mrs. King learned the
basics of art by working in pen and ink, pastels, watercolor, and oils.
While in these classes, Mrs. King met her high school sweetheart, Joe
King. She recalls that he always came in first in the annual art
contest and she usually came in second. Before the conclusion of their
senior year, they were married.
Mrs. King was awarded a scholarship in music to Greensboro College
the following year, while Joe finished school and worked at the
Carolina Theater. The following year they traveled to Washington, D.C.
to visit family and tour art museums. Mrs. King was so enthralled with
the art opportunities that she applied at a top photography studio for
a job as a colorist while she was there. That same day she was offered
a job; so the couple quickly packed their belongings and headed for
their new home in Washington.
While Mr. King worked as a commercial artist, Mrs. King sewed and
used needlepoint to create hats for friends and family in her little
free time. Her hats were noticed by a local milliner, and he suggested
that she travel to New York and study with a top milliner. Mrs. King
was accepted at the Dache millinery and worked as a copier from nine to
six. Each day she was given a hat and a bag filled with materials and
required to ``copy'' the original. She later became a fitter, fitting
hats on celebrities such as Greta Garbo, Mary Pickford, and Loretta
Young.
During the summer of 1946, Mr. and Mrs. King returned to Winston-
Salem. There Mr. King set up his first professional studio in the old
blacksmith's shop of Reynolda Plantation with the help of John
Whitaker, the president of Reynolds Tobacco Company. Within a month Mr.
and Mrs. King opened a studio that would remain open for the next 50
years.
It was in the latter stages of these years that Mrs. King first grew
interested in sculpture. In the mid-1960s, Mrs. King began her studies
with Gardner Gidley of Winston-Salem. When first approached by a friend
who asked her to attend the sculpture course, Earline hesitantly
replied, thanks but no thanks, believing that she had neither the time
nor the talent to take the course. According to Earline, when the
opportunity presented itself, she went kicking and screaming, but she
went. Her studies continued with Bruno Luchesi of New York; followed by
Livia Papini of Florence, Italy; and, finally, George Lundeen of
Scottsdale, Arizona.
In 1979 she unveiled her first public work, a bronze equestrian
monument of Richard Joshua Reynolds, founder of R.J. Reynolds Tobacco
Company. She has since completed more than 300 portrait commissions
including portraitures of Governor James B. Hunt, Jr.; Sir Winston
Churchill at the Worrell House in London, England; Dr. Armand Hammer of
the Salk Institute in La Jolla, California; and Dr. Camillo Artom of
Casa Artom in Venice, Italy.
Her public commissions include: the AirCare memorial for Bowman Gray
School of Medicine in Winston-Salem; pieces for the Denver Center for
the Performing Arts in Denver, Colorado, Winthrop College in Rock Hill,
South Carolina; and works for The Gallery for the Blind at the North
Carolina Museum of Art in Raleigh.
Earline's contributions to the art world expand beyond her own
commissioned work. Along with five other painters and sculptors, she
opened a gallery over 30 years ago in Winston-Salem called Art Gallery
Originals. At their gallery in Reynolda Village, Earline still provides
a workshop once a year where emerging artists and novice artists can
exhibit their creations. In 1993 Earline was honored with a show in the
Luigi Bellini Gallery in Florence, Italy, highlighting the extensive
works of her career. She was the very first woman sculptor to be
exhibited by the gallery. The show was a tremendous success and was
attended by both fellow Americans living in Italy and by the diplomatic
community.
Her passion for the arts is evident as much today as ever. Mrs. King
is now in her 42nd year of sculpture creation, and her artistic fervor
and creativity amazes me. The fact that at 50 years of age Mrs. King
discovered sculpture and made it her life is truly an inspiration.
Most recently, Mrs. King sculpted the late President Ronald Reagan
for the opening of a new Winston-Salem high school named after the
President. She continues to work in a variety of media such as terra
cotta, polycast, cold cast bronze, and lost wax bronze casting. Each
year Mrs. King introduces hundreds of young minds to the inspiring
world of creativity through the tutelage of yearly workshops in
different communities of North Carolina. Earline's artworks continues
to find homes in galleries, public buildings, and private residences of
prominent collectors throughout the United States and Europe. Her
artwork can be viewed in Midtown, Trotman, and ERL galleries in
Winston-Salem; the Tyler White Art Gallery in Greensboro; and Curzon
Gallery in Boca Raton, Florida.
Mrs. King's artistic career is one of tremendous inspiration and
talent. Her career is marked by a true love for the arts and for
creation. I believe that there are few people in life who truly find a
passion that keeps them inspired and creating. I believe that Earline
Heath King has truly discovered that passion in her life through her
art, and I applaud her for the beauty that she has given us all.
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