[Congressional Record Volume 150, Number 110 (Wednesday, September 15, 2004)]
[House]
[Page H7222]
From the Congressional Record Online through the Government Publishing Office [www.gpo.gov]
HONORING THE LIFE OF JOE KARY WESTMORELAND
The SPEAKER pro tempore. Under a previous order of the House, the
gentlewoman from California (Ms. Watson) is recognized for 5 minutes.
Ms. WATSON. Mr. Speaker, I stand to pay tribute to an outstanding and
distinguished human being, Joe Kary Westmoreland, from my district who
died just recently.
Joe began his musical career by singing and playing the piano at a
very early age in New Morning Star Baptist Church. After graduating
from Booker T. Washington High School, he moved to Los Angeles to
continue his education. He attended Los Angeles City College and the
University of California at Los Angeles where he earned a bachelor's
degree in 1981.
{time} 1415
In 2000, Joe received a doctoral degree from the Pentecostal Bible
College, West Coast Campus.
Joe taught choral music at Duarte High School, Occidental College,
and UCLA. For over a quarter of a century, he served the First African
Methodist Episcopal Church of Los Angeles, many of these years as
Minister of Music. Since 1976, his gospel music compositions have been
presented in over 100 concerts by major orchestras and two films, Music
in Time and Zubin Rocks Gospel, and are in public libraries around the
country. One aired on three segments of CBS' 60 Minutes.
The North Carolina Symphony and Interdenominational Choir performed
seven of Joe's compositions at the Shaw University Heritage Festival,
from 1977 through 1980. He conceived and helped produce the noted,
Hallelujah Concert: A Tribute to Gospel Music, held at the Great
Western Forum in Inglewood, California. Joe was the first composer of
gospel music to have his works performed by Zubin Mehta and the Los
Angeles Philharmonic Orchestra as well as the New York Philharmonic
Orchestra.
In 1982, Joe was commissioned by the Albany Symphony to write a
gospel mass. This music was also performed by the Utah Symphony
Orchestra in 1983. And in 1987, together with Charles May, he wrote the
gospel opera, Job, which starred Reverend Daryl Coley and the First AME
Freedom Choir. It was performed again in 1988 for the Los Angeles
Festival and for the AME General Conference in Fort Worth, Texas.
His credits go on and on in the area of music and gospel and bringing
the two together. He wrote the gospel opera, Jezebel, which was
performed in the Vision Theater in Los Angeles for a full month. His
musical talents have not been unrewarded, and he has received every
single award across the board.
Mr. Speaker, this is the kind of citizen that we need more of. He
leaves a tremendous legacy in music and song but, most of all, in
spirituality. And I want to extend my sympathy to his wife who stood by
him all of those years, through an automobile accident, through several
strokes and heart attacks, but he was still able to write and perform.
He had been married to his wife for 39 years.
We pay tribute to his spirit, to his life, and we wish him a rest
that is well-deserved in the hands of our Lord.
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