[Congressional Record Volume 145, Number 27 (Monday, February 22, 1999)] [Senate] [Pages S1738-S1739] From the Congressional Record Online through the Government Publishing Office [www.gpo.gov] ADDITIONAL STATEMENTS ______ LORENZO Da PONTE, 1749-1838Mr. MOYNIHAN. Mr. President, among the paintings hanging in the Blue Room of New York's City Hall is a full-length portrait of General Lafayette by Samuel F. B. Morse. The father of the telegraph (and noted member of the anti-Catholic ``Know-Nothings''), began his career as a portrait artist. For his commission, Morse received $100 and earned a reputation as a gifted painter. Before turning to invention, he would paint the portraits of a galaxy of New York worthies. The subject of one such portrait is known to opera lovers the world over--Lorenzo Da Ponte. He was, of course, the librettist of Mozart's masterpieces Don Giovanni, Nozze di Figaro, and Cosi Fan Tutte. What makes his life especially intriguing to an American is his career in New York. In a preface to a 1959 edition of his Memoirs (first published in 1830) Thomas G. Bergin observes By tradition, education, and experience, this European sophisticate would seem to be far removed from the American Psyche; but his deeper nature--eager, adventurous and basically evangelical--was well-adapted to the New World. Born March 10, 1749 in Ceneda, Italy, now Vittorio Veneto, Da Ponte arrived in New York in 1805 in his middle years and with what might seem to be his greatest work already behind him. Upon coming ashore, he was the self-proclaimed ``poet of the Emperor Joseph II, for Salieri, for Storace, for Mozart!'' He found work as a grocer on the Bowery, that great stretch of Manhattan teeming with all the varieties of 19th Century life. He soon fell in with the young Clement Clark Moore, founder of the General Theological Seminary and the (long anonymous) author of The Night Before Christmas. The two shared a love of language and books. Moore, amazed by Da Ponte's brilliance, introduced his friend to a literary group at Columbia College, of which he was a trustee. The group included the future Congressman Gulian Verplank. In time Da Ponte would become a major figure in New York society, dining with Livingstons, Hamiltons, Onderdoncks and the like. He became a professor of Italian, donated the first volume of Italian literature to the New York Public Library, and, with the help of his friends at Columbia, founded the Italian Opera. Don Giovanni was performed at the Park Theater in May 1826 and it may be said New York has never been the same. The scholar Arthur Livingston observes, ``There is no doubt all this was an important moment for the American mind. Da Ponte made Europe, poetry, painting, music, the artistic spirit, classical lore, a creative classical education, live for many important Americans as no one had done before.'' In 1838, his last year on earth, he was given absolution by John MacCloskey, New York's second Archbishop and America's first Cardinal. He died on August 17. Three days later, at Old St. Patrick's Cathedral at Mott and Prince Streets, he was honored with a ``hero's burial'' before a large and distinguished funeral party. As one account has it: Da Ponte was buried, probably in the tomb of a friend, to await reburial and a headstone at a later date. As far as is known, the reburial never took place, and the headstone was not installed. The overcrowded cemetery was closed in 1848, and all of its records (including Da Ponte's) were destroyed when Old St. Patrick's was gutted by fire eighteen years later. . . . Between 1909 and 1915, all the bodies were disinterred and moved, with or without identification, to Calvary Cemetery in Queens. And so, like Mozart, Da Ponte came to rest in an unmarked grave. This year provides an opportunity to rectify, at least in part, this sad and resonant ending. This seems a wondrous time to celebrate perhaps by some memorial in Old St. Patrick's, surely by performing Mozart's Requiem, K.626, composed in 1791. After his death, the New York Daily Express recorded: [[Page S1739]] Signor Da Ponte came to America, where he has resided 32 years, chiefly in this city; and to his indefatigable exertions, commanding talents, and profound literary attainments, are we mainly indebted for the taste everywhere diffused on our country for the music and language of his native land. He has been the Cadmas to whom we owe an unpayable debt for these inappreciable gifts. We are in his debt to this day, and surely 1999 is year to acknowledge it. I ask that the obituary from the New York Daily Express be printed in the Record. The obituary follows: [From the New York Daily Express, August 20, 1838] City Affairs Death of Daponte--Signor Lorenzo Daponte being a resident of this City died here on Friday at the advanced age of 90. His celebrated opera, written for Mozart, has given him a name all over the world. The Sunday Morning News states that he was a Venetian and native of Cenda--educated from the Church, and then afterwards from his fine poetic talents and passion for music, that he became a prominent person in the Court of Emperor Joseph II of Austria. Under his special protection, he formed a close relationship with the celebrated Mozart, which led to the production of those admired Operas, Giovanni, the Marriage of Figaro, and c., which the poetry of Daponte is no less eternized by its own beauties than by the divine music by which it is embalmed. After the decease of Mozart, who died in his friend Daponte's arms, the poet went to London, and there for years was intimately associated with the early efforts to introduce a more perfect Italian Opera. From there, Signor Daponte came to America, where he has resided 32 years, chiefly in this city; and to his indefatigable exertions, commanding talents, and profound literary attainments, are we mainly indebted for the taste every where diffused in our country for the music and language of his native land. He has been the Cadmas to whom we owe an unpayable debt for these inappreciable gifts. His memory will endure; for his disinterested labors and passionate devotion to the arts which he cultivated. As a Latin and Hebrew Scholar, he had perhaps no equal or superior here. Notice.--The numerous Italians of this City, countrymen of the venerable Daponte, deeply impressed with the honor which the character and labors of the deceased have reflected on their own and their adoptive country, will assemble at his late residence, No. 91 Spring Street, precisely at 6 o'clock p.m. this day whence his remains will be conveyed to the Cathedral, and a requiem performed by distinguished Italian artists of this City, previous to the interment of the corpse in the Catholic burying ground. ____________________