[Congressional Record Volume 144, Number 109 (Wednesday, August 5, 1998)]
[Extensions of Remarks]
[Pages E1548-E1549]
From the Congressional Record Online through the Government Publishing Office [www.gpo.gov]




                            THE MUSIC MAKERS

                                 ______
                                 

                         HON. NANCY L. JOHNSON

                             of connecticut

                    in the house of representatives

                       Wednesday, August 5, 1998

  Mrs. JOHNSON of Connecticut. Mr. Speaker, two hundred years ago, in 
May of 1798, the United Irishmen, whose ranks were made up of both 
Catholics and Protestants, rebelled against the English Crown. In May 
of this year, as word reached our shores of resounding voter approval 
of a landmark peace agreement intended to end 30 years of Catholic-
Protestant bloodshed, our former colleague, Senator George Mitchell, 
who helped mediate the agreement, shared a stage at the University of 
New Hampshire Commencement with a remarkable author, poet, actor, 
singer, story-teller and songwriter, Tommy Makem. On that sunny, breezy 
afternoon, each received an honorary degree.
  Senator Mitchell, as was fitting, gave the commencement address; 
Tommy Makem, appropriately enough, sang a song he had written about the 
search for peace in Ireland. ``Raise the cry for peace and justice; let 
the people sound the call: justice for our battered country, peace for 
one and peace for all.'' So many of Tommy's songs, such as ``Gentle 
Annie'' and ``Four Green Fields'' are so well known that they are often 
mistaken for traditional folk songs and are standards in the repertoire 
of floksingers around the world.
  A native of Keady, County Armagh, Tommy is the son of the legendary 
folk singer, Sarah Makem. He came to Dover, New Hampshire in 1956, and 
established himself as an actor in New York. There he teamed up with 
the Clancy Brothers: Liam, Tom and Paddy. In the early 1960s, following 
an appearance on the Ed Sullivan Show and a number of sold-out concerts 
at Carnegie Hall, the Clancy Brothers and Tommy Makem were perhaps the 
best known Irishmen in all the world. At the Newport Folk Festival, in 
1961, he and Joan Baez were chosen as the two most promising newcomers 
on the American folk scene.
  In 1984, Tommy joined the ranks of millions of Irish immigrants who 
came before him and was naturalized as a U.S. citizen in Concord, New 
Hampshire. He has received countless awards, among them the Gold Medal 
from the Eire Society in Boston and Stonehill College's prestigious 
Genesis Award. Irish America Magazine named him one of the Top 100 
Irish Americans five years in a row. He was awarded the first Lifetime 
Achievement Award in the Irish Voice/Aer Lingus Community Awards.
  While there is no mention of it in his biographical sketch, I am 
personally aware of his support for ``Project Children,'' a non-profit 
organization that brings children from Northern Ireland to the United 
States for a summer holiday away from the Irish ``troubles,'' 
recruiting them from neighborhoods in which Protestant-Catholic 
conflicts have taken the heaviest toll. As of 1996, more than 11,000 
youngsters from Belfast, Armagh, Strabane, Enniskillen, and Derry can 
be counted as ``alumni'' of the project.
  History records that the rebellion of 1798 failed in the month of 
August. Let us pray that peace will take hold in August of 1998 and 
that in the coming years the children of Northern Ireland will visit 
the United States as part of a cultural exchange, rather than for a 
respite from sectarian violence.

[[Page E1549]]

  Tommy's ``Peace and Justice'' expresses the hope that ``understanding 
and forgiveness will dry all our country's tears''--something to be 
wished for on both sides of the Atlantic.
  The 19th century poet Arthur O'Shaughnessy wrote of the world's 
musicians:

We are the music makers,
And we are the dreamer of dreams,
Wandering by lone sea-breakers,
And sitting by desolate streams;
World-losers and world-forsakers,
On whom the pale moon gleams:
Yet we are the movers and shakers
Of the world forever, it seems.

With wonderful deathless ditties
We build up the world's great cities,
And out of a fabulous story
We fashion an empire's glory
One man with a dream, at pleasure,
Shall go forth and conquer a crown;
And three with a new song's measure
Can trample an empire down.

We in the ages lying,
In the buried past of the earth,
Built Ninevah with our sighing,
And Babel itself with our mirth;
And o'erthrew them with prophesying
To the old of the new world's worth;
For each age is a dream that is dying,
Or one that is coming to birth.

  Mr. Speaker, I sometimes wonder whether our society fully appreciates 
the importance of our artists, poets and songwriters. Tommy Makem's 
journey to our shore, his work for peace and the music he has made 
famous--including the folk songs of both North America and the British 
Isles--remind us that our nation has been enriched indeed by the men 
and women who have come here from other lands.

                          ____________________