[Congressional Record Volume 142, Number 12 (Tuesday, January 30, 1996)]
[Senate]
[Pages S553-S554]
From the Congressional Record Online through the Government Publishing Office [www.gpo.gov]
NATIONAL ENDOWMENT FOR THE ARTS
Mr. PELL. Mr. President, I strongly oppose the effort to defund the
National Endowment for the Arts. Playing games with the budget
appropriations in this manner is contrary to the Nation's welfare. The
intent to incapacitate and slowly dismantle the agency by obstructing
the planning and grantmaking processes appears to be a deliberate
attempt to terminate Federal support for the arts and to deny Americans
access to their cultural heritage.
Some may believe that the arts will be able to generate the local
support necessary to sustain themselves, but I am fearful the opposite
will be true. Local dollars are already stretched to capacity. Major
arts funders such as the Rockefeller Foundation, the Pew Charitable
Trusts in Philadelphia, and the James Irvine Foundation in California
have stated publicly that foundations will not and cannot replace
Federal funding. Corporate giving has declined in recent years despite
economic growth and there is little, if any, reason to believe that
will change. The commercial entertainment industry continues to resist
investing in the source of much of its talent. Further,
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removal of both the national recognition and the stimulation of
partnerships offered through Federal grants will produce a dramatic
reduction in State and local support.
The Rockefeller Foundation surveyed 40 foundations and found every
donor but one unable to increase their cultural portfolios. Dr. Alberta
Arthurs concluded her report of the study by stating, ``The cultural
situation we have created in the last 30 years is a dense and delicate
balance of private and public interests and funds. If this is to be
disturbed, what will replace it?''
Opponents of the Arts Endowment know that a replacement is unlikely.
The cry to privatize is but a code word for eliminate. These are the
same people who advocate for new tax laws that would end deductions for
individual and corporate contributions to the arts.
The National Endowment for the Arts has been remarkably successful in
furthering the ideals for which it was created. The arts are no longer
viewed as the privileged domain of a relatively few practitioners and
connoisseurs; they are no longer considered as incidental or peripheral
to our way of life. Every single community in our country now has
access to its indigenous and creative national culture. Without Arts
Endowment funding, many popular programs simply would not exist, let
alone be made available to millions of Americans in all parts of our
Nation. The major arts institutions serving well-to-do patrons in urban
areas will survive, but how many children, elderly, disabled, inner-
city and rural dwellers will be able to participate? How will new
audiences gain access to our common culture?
Targeting the Arts Endowment is not about balancing the budget. It is
about throwing out the solid arts networks built over 30 years because
of unease caused by a few controversial grants. The Arts Endowment has
already cracked down on such grants, and it has certainly borne its
fair share of cuts. Recently, the agency eliminated 47 percent of its
staff positions and reorganized its administration and grantmaking to
adjust to a 40-percent reduction in its budget. Anything more would
severely damage the availability and accessibility of countless arts
programs in communities nationwide. It must not happen.
I would urge my colleagues to stop playing politics with the
Endowment, honor the appropriations that both Houses have passed, and
enact a bridge that will enable this agency, already hampered by severe
funding reductions, to get on with its valuable work in an orderly
fashion.
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