[Congressional Bills 110th Congress]
[From the U.S. Government Publishing Office]
[S. Res. 69 Reported in Senate (RS)]
Calendar No. 30
110th CONGRESS
1st Session
S. RES. 69
Recognizing the African-American spiritual as a national treasure.
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IN THE SENATE OF THE UNITED STATES
February 5, 2007
Mr. Menendez (for himself, Mr. Reid, Mr. Coburn, Mr. Obama, Mr. Durbin,
Mr. Biden, Mr. Levin, Mr. Feingold, Mrs. Dole, Mrs. Clinton, Mr.
Lautenberg, and Mr. Kennedy) submitted the following resolution; which
was referred to the Committee on the Judiciary
February 15, 2007
Reported by Mr. Leahy, without amendment
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RESOLUTION
Recognizing the African-American spiritual as a national treasure.
Whereas since slavery was introduced into the European colonies in 1619,
enslaved Africans remained in bondage until the United States ratified
the 13th amendment to the Constitution in 1865;
Whereas during that period in the history of the United States, the first
expression of a unique American music was created by enslaved African-
Americans who--
(1) used their knowledge of the English language and the Christian
religious faith, as it had been taught to them in the New World; and
(2) stealthily wove within the music their experience of coping with
human servitude and their strong desire to be free;
Whereas as a method of survival, enslaved African-Americans who were forbidden
to speak their native languages, play musical instruments they had used
in Africa, or practice their traditional religious beliefs, relied on
their strong African oral tradition of songs, stories, proverbs, and
historical accounts to create an original genre of music, now known as
spirituals;
Whereas Calvin Earl, a noted performer of, and educator on, African-American
spirituals, remarked that the Christian lyrics became a metaphor for
freedom from slavery, a secret way for slaves to ``communicate with each
other, teach their children, record their history, and heal their
pain'';
Whereas the New Jersey Historical Commission found that ``some of those daring
and artful runaway slaves who entered New Jersey by way of the
Underground Railroad no doubt sang the words of old Negro spirituals
like `Steal Away' before embarking on their perilous journey north'';
Whereas African-American spirituals spread all over the United States, and the
songs we know of today may represent only a small portion of the total
number of spirituals that once existed;
Whereas Frederick Douglass, a fugitive slave who would become one of the leading
abolitionists in the United States, remarked that spirituals ``told a
tale of woe which was then altogether beyond my feeble comprehension;
they were tones loud, long, and deep; they breathed the prayer and
complaint of souls boiling over with the bitterest anguish. Every tone
was a testimony against slavery and a prayer to God for deliverance from
chains.''; and
Whereas section 2(a)(1) of the American Folklife Preservation Act (20 U.S.C.
2101(a)(1)) states that ``the diversity inherent in American folklife
has contributed greatly to the cultural richness of the Nation and has
fostered a sense of individuality and identity among the American
people'': Now, therefore, be it
Resolved, That the Senate--
(1) recognizes that African-American spirituals are a
poignant and powerful genre of music that have become one of
the most significant segments of American music in existence;
(2) expresses the deepest gratitude, recognition, and honor
to the former enslaved Africans in the United States for their
gifts to the Nation, including their original music and oral
history; and
(3) encourages the people of the United States to reflect
on the important contribution of African-American spirituals to
United States history and to recognize the African-American
spiritual as a national treasure.
Calendar No. 30
110th CONGRESS
1st Session
S. RES. 69
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RESOLUTION
Recognizing the African-American spiritual as a national treasure.
_______________________________________________________________________
February 15, 2007
Reported without amendment